Writer / Director / Producer Lucy Wigmore Lucy graduated as an actor from Toi Whakaari: New Zealand Drama School in 2002 and has been working extensively on stage and screen since. She is most familiar to audiences for her work on television including: Shortland Street, Underbelly: Razor and Love Child. She has also played leading roles on stage in: The Sweetest Thing, Cloud 9, Salon 71, Look Back in Anger, The Women, As You Like It and on screen in The Land, The Last Magic Show, Eating Media Lunch, Orange Roughies and Spring Flames. She moved to London in 2008 where she continued acting and started making films. She wrote and directed her first short film, Sign Language, while studying at the prestigious London Film Academy. She also worked as First Assistant Director and Casting Director on short film, Rapunzel and the award winning road safety advertisement, Embrace Life. Since relocating to Australia in 2009, she has directed Cat and Mouse at La Mama Theatre, Assistant Directed Fefu and Her Friends at NIDA and performed in The Sweetest Thing at Belvoir St Theatre, along with continuing her screen acting work. She is currently developing two new comedy TV series and various film and theatre projects. She also holds a Bachelor of Business (Advertising/International Business) from AUT, Auckland and a BA (Hons) International Business from ESC Rennes, France.
Producer Joseph Couch Specializing in script development and new writing, Joseph Couch studied Directing at NIDA, and has produced and directed multiple theatre productions for his own company, as well as working for the major houses STC, Belvoir St, Opera Australia and Playbox. In parallel, he works as a Management Consultant in the Media and Entertainment, Telecommunications, Financial Services and Resources industries, where he has a history of delivering decisive and valuable improvements to a range of ASX 200 companies.
Editor Gordon Russell Gordon first learnt how to operate an editing suite in 2002 when he worked for Pacific Crews in Wellington, New Zealand. Since then, he has worked on everything from short films to TVC's, along with some graphics, titles and animation based projects. Some of the highlights of his editing career include: developing, creating and supervising projection of all visuals for Gin Wigmore's “Gravetrain Tour” throughout NZ in 2010; The Adventures of Spectacularman, and Stationery. He has a specific interest in developing visuals, logos and titles for short films and album covers. He is also a practising Mechanical Design Engineer.
Production and Costume Designer Becky-Dee Trevenen Becky-Dee is a costume and set designer currently based in Sydney, Australia. At the beginning of 2014 she worked at Bazmark as a concept artist and illustrator whilst also designing a number of Film and Theatre projects including: Cough (Unhappen, dir. James Dalton) and short film, Stationery (dir. Lucy Wigmore): costume assistant on The Chimney Sweep (Pinchgut Opera, dir Mark Gaal) and production designer of the animated installation Jack Kerouac’s Rules for Spontaneous Prose (dir. Virginia Savage). Whilst at NIDA theatre credits include The Witches by Roald Dahl, The Dissolving Self and Sucking Dublin. Becky-Dee was the co-designer of the 2012 NIDA EXPO as well as co-designer for the 2014 Cinerent Open Air Cinema VIP lounge located on the Sydney Harbour. She is currently working with director Troy Alexander as costume designer of the upcoming production of the Australian musical LOVEBiTES at the Hayes Theatre, Darlinghurst.
Producer Kate Armstrong-Smith Kate works as a Producer specializing in developing and marketing work with a particular focus on young adult audiences. She has worked for Good Vibrations Festival, The Adelaide Fringe, Adelaide Arts Festival, Indigenous Festivals of Australia and currently works as a Business Development Manager for Sydney Festival. Kate designed the award-winning audience development scheme Fringe Benefits for the Adelaide Fringe and was awarded A Churchill Fellowship to investigate strategies to further engage new generations of audiences for Australian entertainment. She holds a Graduate Diploma in Producing and Screen Business from AFTRS and recently completed an AFTRS’ Masters of Screen Business and Arts.
Executive Producer John Connolly John Connolly is a public relations consultant with a long involvement in the arts. He is a currently a Director of Sydney Theatre Company, a sponsor of New York’s Peformance Space 122 and is on the National Council of Musica Viva.
Cinematographer David Cameron David is one of the most talented and in-demand cinematographers in New Zealand. He recently won a Golden Tripod award at the Australian Cinematography Society for his work on Bliss - The Beginnings of Katherine Mansfield. His list of credits include: Bliss, Piece Of My Heart, Stolen, Go Girls seasons 2 to 5, Agent Anna, Nothing Trivial 2, Hounds, A Night at the Classic and Outrageous Fortune.
Composer Emily C. Maguire Emily Maguire’s compositions possess a unique blend of sparse simplicity juxtaposed with dramatic complexity. Her works describe a struggle between the atonality of post-modern classical composition and coherent traditional tonal techniques. A classically trained, Australian born musician, Emily is a performer, composer, musical director and educator currently living and working in Sydney, Australia. She has studied at the Sydney Conservatorium of Music, The University of Wollongong and most recently at Fordham University and the Juilliard School of Music in New York. Her works have recently been heard accompanying theatrical presentations at the Belvoir St Theatre, The Old Fitzroy Theatre and she is currently composing for the Sydney Theatre Company.